On a Sailing Ship Poster

On Board a Sailing Ship Caspar David Friedrich (1774-1840) Medium: Oil on canvas Year: 1818-1820 Housed at: Hermitage, St. Petersburg, Russia Recommended printing size at 300 PPI: 16x20 in Closest to original: Approx. 22x27.5 in Maximum at 100+ PPI: 71.5x52 in Before placing your order, select the “Customize it!” button on the lower right below “Add to cart,” then select “Print Options” mid-upper left. Enter one of the dimensions for the desired frame size. Of the nine works by Friedrich in the Hermitage, this canvas is rare in showing a representation of real events. It was executed just after the artist's honeymoon, a journey round Germany. It is thought that the figures in the boat are Friedrich and his wife Caroline. Captivated by the vast infinity of nature and man's spiritual world, the artist employs special devices to reflect it in his works; here he produces a composition unusual in the early 19th century -- the edge of the canvas cuts sharply across the deck. Thus the spectator is drawn into the picture space and can sense the atmosphere and share the emotions and thoughts of the figures. Credit: Hermitage Museum All information is provided for educational purposes only. Caspar David Friedrich (September 5, 1774 – May 7, 1840) was a 19th-century German Romantic landscape painter, generally considered the most important of the movement. He is best known for his mid-period allegorical landscapes which typically feature contemplative figures silhouetted against night skies, morning mists, barren trees or Gothic ruins. His primary interest as an artist was the contemplation of nature, and his often symbolic and anti-classical work seeks to convey a subjective, emotional response to the natural world. Friedrich's work characteristically sets the human element in diminished perspective amid expansive landscapes, reducing the figures to a scale that, according to the art historian Christopher John Murray, directs "the viewer's gaze toward their metaphysical dimension". Friedrich was born in the Swedish Pomeranian town of Greifswald, where he began his studies in art as a youth. He studied inCopenhagen until 1798, before settling in Dresden. He came of age during a period when, across Europe, a growing disillusionment with materialistic society was giving rise to a new appreciation of spirituality. This shift in ideals was often expressed through a reevaluation of the natural world, as artists such as Friedrich, J.M.W. Turner (1775–1851) and John Constable (1776-1837) sought to depict nature as a "divine creation, to be set against the artifice of human civilization". Friedrich’s work brought him renown early in his career, and contemporaries such as the French sculptor David d'Angers(1788–1856) spoke of him as a man who had discovered "the tragedy of landscape".[5] Nevertheless, his work fell from favor during his later years, and he died in obscurity, and in the words of the art historian Philip Miller, "half mad".[6] As Germany moved toward modernization in the late 19th century, a new sense of urgency characterised its art, and Friedrich’s contemplative depictions of stillness came to be seen as the products of a bygone age. The early 20th century brought a renewed appreciation of his work, beginning in 1906 with an exhibition of thirty-two of his paintings and sculptures in Berlin. By the 1920s his paintings had been discovered by the Expressionists, and in the 1930s and early 1940s Surrealists andExistentialists frequently drew ideas from his work. The rise of Nazism in the early 1930s again saw a resurgence in Friedrich's popularity, but this was followed by a sharp decline as his paintings were, by association with the Nazi movement, misinterpreted as having a nationalistic aspect.  It was not until the late 1970s that Friedrich regained his reputation as an icon of the German Romantic movement and a painter of international importance. Credit: Adapted from Wikipedia All information is provided for educational purposes only.