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Meguro Drum Bridge Hiroshige Japanese Fine Art Postcard

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Signature Matte
18 pt thickness / 120 lb weight Soft white, soft eggshell texture
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Size: Standard Postcard

Create your own vacation-worthy postcard! Any view you’ve seen, any monument you’ve fallen in love with, can all be added to your postcard with our personalisation tool.

  • Dimensions: 14.22 cm L x 10.79 cm H; qualified USPS postcard size
  • High quality, full-colour, full-bleed printing on both sides

Paper Type: Signature Matte

Our Signature Matte paper is a customer favourite—smooth to the touch with a soft eggshell texture that elevates any design. Its sturdy 18 pt weight and natural feel make it the ideal choice for timeless, sophisticated events.

  • Exclusively made for Zazzle

About This Design

Meguro Drum Bridge Hiroshige Japanese Fine Art Postcard

Meguro Drum Bridge Hiroshige Japanese Fine Art Postcard

歌川広重 の 目黒太鼓橋夕日の岡 Utagawa Hiroshige (1797 – October 12, 1858) was a Japanese ukiyo-e artist, and one of the last great artists in that tradition. He was born in 1797 and named "Ando Tokutaro" in the Yayosu barracks, just east of Edo Castle in the Yaesu area of Edo (present-day Tokyo). His father was Ando Gen'emon, a hereditary retainer (of the doshin rank) of the shogun. An official within the fire-fighting organization whose duty was to protect Edo Castle from fire, Gen'emon and his family, along with 30 other samurai, lived in one of the 10 barracks; although their salary of 60 koku marked them as a minor family, it was a stable position, and a very easy one — Professor Seiichiro Takahashi characterizes a fireman's duties as largely consisting of revelry. The 30 samurai officials of a barracks, including Gen'emon, oversaw the efforts of the 300 lower-class workers who also lived within the barracks. A few scraps of evidence indicate he was tutored by another fireman who taught him in the Chinese-influenced Kano school of painting. Legend has it that Hiroshige determined to become a ukiyoe artist when he saw the prints of his near-contemporary, Hokusai. (Hokusai published some of his greatest prints, such as Thirty-six views of Mount Fuji, in 1832—the year Hiroshige devoted himself full-time to his art.) From then to Hokusai's death in 1849, their landscape works competed for the same customers. Arched bridges were unusual in Edo, but even more curious was a stone bridge, which offered few advantages in a city prone to earthquakes. Rounded forms and stone structures were more common in China than in Japan, suggesting a Chinese prototype for this bridge, although it is said to have been designed in the 1740s by a wandering priest inspired by a similar one in Kyushu, Japan. Hiroshige evokes a greater sense of isolation, even loneliness, in this snow scene by offering an oblique view. From the series One Hundred Famous Views of Edo. Vintage retro cute cool colourful beautiful original creative artistic unique elegant modern fashion decor Asian nature pattern woodblock fine art.

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5 out of 5 stars rating
By Tina J.March 5, 2019Verified Purchase
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nicely done very clear. print turned out well done
5 out of 5 stars rating
By Denise W.May 1, 2024Verified Purchase
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I'm in love! Just look how sweet these two are! 🥰☘🍀. Great graphics n print! Glossy adds flair! Thanks! ☘🍀
5 out of 5 stars rating
By Denise W.May 1, 2024Verified Purchase
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🐰🐇..Bundorable sweet card! Love the vintage vibe which I wanted! Not a flimsy card! Graphics are awesome n print so good!

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歌川広重安藤広重fine artutagawa hiroshigemeguro drum bridgefine artisthiroshigevintage japanese landscape
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歌川広重安藤広重fine artutagawa hiroshigemeguro drum bridgefine artisthiroshigevintage japanese landscape

Other Info

Product ID: 239755749319789960
Designed on 2009-05-14, 11:54 PM
Rating: G