Frauenkirche Dome Ceiling, Dresden, Germany Poster

"Frauenkirche Dome Ceiling, Dresden, Germany" by Catherine Sherman. The stunningly ornate dome ceiling of the Frauenkirche in Dresden, Germany, features intricate paintings and detailed architectural designs, with a central circular skylight allowing natural light to enhance the vivid colours. The artwork showcases religious themes and is surrounded by decorative columns and mouldings. The Frauenkirche (Church of Our Lady) is a Lutheran church in Dresden, the capital of the German state of Saxony. Destroyed during the Allied firebombing of Dresden towards the end of World War II, the church was reconstructed between 1994 and 2005. The church with its bell-shaped dome again dominates the skyline of Dresden. The inner dome of the Frauenkirche in Dresden, Germany, arches above the congregation. Eight large panels depict the four evangelists Matthew, Mark, Luke and John, as well as allegories of the Christian virtues of faith, love and hope, supplemented by mercy. In the original church building, designed by architect George Bähr, the ceiling figures were painted by the Italian theatre painter Johann Baptist Grone; the current paintings are by Christoph Wetzel. "The dome of the Frauenkirche is special in several ways," according to the Frauenkirche's website. "Made entirely of sandstone, it weighs over 12,000 tons. With a height of 24 metres and a diameter of 26 metres, it is considered the largest stone dome north of the Alps. The shape is also unique: the convex curved dome and the concave further course gives the impression of a bell. This impression earned the Frauenkirche its nickname 'stone bell.'" The original Baroque church was built between 1726 and 1743, and was designed by Dresden's city architect, George Bähr, who did not live to see the completion of his greatest work. Bähr's distinctive design for the church captured the new spirit of the Protestant liturgy by placing the altar, pulpit, and baptismal font directly centre in view of the entire congregation. The current structure is the third church building to stand at this site. The earliest was founded as a Catholic church before being converted to Protestantism during the Reformation. It was replaced in the 18th century by a larger Baroque purpose-built Lutheran building. When its foundation stone was laid on August 26, 1726, it contained a copy of the Augsburg Confession which is primary confession of faith of the Evangelical Lutheran Church. Considered an outstanding example of Protestant sacred architecture, it featured one of the largest domes in Europe. It was originally built as a sign of the will of the citizens of Dresden to remain Protestant after their ruler had converted to Catholicism. Having been reconstructed, it now also serves as a symbol of reconciliation between former warring enemies. Bähr is most famous for designing the Frauenkirche. He was given the task in 1722; in 1726, the design was approved and work began. Bähr became the first in Germany to go by the title of “Architect.”