crooked loud Hip Hop shirt

Loud orange arrows pointin' to the Streets.- StreetWarzClothing.com is Hip Hop hiphop swag swagger swagga Bboy b-boy b-girl rap Rapper rapping spit flow merc dis battle MC Emcee Graffitti artist tag tagger tagging bomb writer graff sound system woofer bass DJ scratching turtable vinyl gangsta rap Player playa street hood MACK PIMP hustle hustler hustla grind Hood hot fire Ghetto Spit rhyme hip hop MC Grime brap dutty RAP pop popping beat boxing break breakdance breakdancing microphone funk beats rhymes boombox skills rapper rappers Grime music hip hop music hardcore rap street urban hardcore rap old school fresh fly stupid dope down mad style hyphy crunk electro 808 run dmc tupac biggie smalls notorious BIG nwa bdp beastie boys Kanye west z 50 cent UK grime LA hip hop NYC hip hop east coast hip hop west coast hip hop Jamaican born DJ Clive "Kool Herc" Campbell is credited as originating hip hop music in the Bronx New York, after moving to New York at the age of thirteen. Herc created the blueprint for hip hop music and culture by building upon the Jamaican tradition of toasting, or boasting impromptu poetry and sayings over music, which he witnessed as a youth in Jamaica.Herc and other DJs would tap into the power lines to connect their equipment and perform, at venues such as public basketball courts and the historic building "where hip hop was born," 1520 Sedgwick Avenue, Bronx, New York Their equipment was composed of numerous speakers, turntables, and one or more microphones. In late 1979, Debbie Harry of Blondie took Chic co-founder and lead guitarist Nile Rodgers to such an event, as the main backing track used was the break from Chic's Good Times. Herc was also the developer of break-beat dee ing, where the breaks of funk songs—the part most suited to dance, usually percussion -based—were isolated and repeated for the purpose of all-night dance parties. This breakbeat DJing, using hard funk, rock, and records with Latin percussion, formed the basis of hip hop music. Campbell's announcements and exhortations to dancers would lead to the syncopated, rhymed spoken accompaniment we now know as rapping. He dubbed his dancers break-boys and break-girls, or simply b-boys and b-girls. According to Herc, "breaking" was also street slang for "getting excited" and "acting energetically".Herc's terms b-boy, b-girl and breaking became part of the lexicon of hip hop culture, before that culture itself had developed a name.Later DJs such as Grand Wizard Theodore, Grandmaster Flash and Jazzy refined and developed the use of breakbeats, including cutting and scratching. The approach used by Herc was soon widely copied, and by the late 1970s DJs were releasing 12" records where they would rap to the beat. Popular tunes included Kurtis Blow's "The Breaks", and The Sugar Hill Gang's "Rapper's Delight".Emceeing is the rhythmic spoken delivery of rhymes and wordplay, delivered over a beat or without accompaniment. Rapping is derived from the griots (folk poets) of West Africa, and Jamaican-style toasting. Rap developed both inside and outside of hip hop culture, and began with the street parties thrown in the Bronx neighbourhood of New York in the 1970s by Kool Herc and others. It originated as MCs would talk over the music to promote their DJ, promote other dance parties, take light- hearted jabs at other lyricists, or talk about problems in their areas and issues facing the community as a whole.