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Asset ID: 79308827 / DAJ / Golden angel holding pink heart, side view, soft focus
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry , to house a relic of the Crown of Thorns . The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest . It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse , or "in the round", to create a total of 28 three-dimensional figures, mostly in white enamel, which had been recently developed when the reliquary was made.
Except at its base the reliquary is slim, with two faces; the front view shows the end of the world and the Last Judgement , with the Trinity and saints above and the resurrection of the dead below, and the relic of a single long thorn believed to come from the crown of thorns worn by Jesus when he was crucified . The rear view has less extravagant decoration, mostly in plain gold in low relief , and has doors that opened to display a flat object, now missing, which was presumably another relic.
The reliquary was in the Habsburg collections from at least the 16th century until the 1860s, when it was replaced by a forgery during a restoration by an art dealer, Salomon Weininger. The fraud remained undetected until well after the original reliquary came to the British Museum. The reliquary was featured in the BBC's A History of the World in 100 Objects , in which Neil MacGregor described it as "without question one of the supreme achievements of medieval European metalwork", and is a highlight of the exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe at the British Museum from June 23 to October 2011.
<div id="index_ignore">Description above from the Wikipedia article Holy Thorn Reliquary, licensed under CC-BY-SA full list of contributors here. This page is not affiliated with, or endorsed by, anyone associated with the topic.</div>
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry , to house a relic of the Crown of Thorns . The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest . It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse , or "in the round", to create a total of 28 three-dimensional figures, mostly in white enamel, which had been recently developed when the reliquary was made.
Except at its base the reliquary is slim, with two faces; the front view shows the end of the world and the Last Judgement , with the Trinity and saints above and the resurrection of the dead below, and the relic of a single long thorn believed to come from the crown of thorns worn by Jesus when he was crucified . The rear view has less extravagant decoration, mostly in plain gold in low relief , and has doors that opened to display a flat object, now missing, which was presumably another relic.
The reliquary was in the Habsburg collections from at least the 16th century until the 1860s, when it was replaced by a forgery during a restoration by an art dealer, Salomon Weininger. The fraud remained undetected until well after the original reliquary came to the British Museum. The reliquary was featured in the BBC's A History of the World in 100 Objects , in which Neil MacGregor described it as "without question one of the supreme achievements of medieval European metalwork", and is a highlight of the exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe at the British Museum from June 23 to October 2011.
<div id="index_ignore">Description above from the Wikipedia article Holy Thorn Reliquary, licensed under CC-BY-SA full list of contributors here. This page is not affiliated with, or endorsed by, anyone associated with the topic.</div>
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Speck® Fitted™ Fabric-Inlaid Hard Shell Case for iPod Touch
Show off your signature style with a cool and customizable Speck Products® brand case for your iPod touch. Combining luxury with superior protection, this fitted hard shell plastic case is covered with an easy-to-grip fabric that is vibrantly printed with your favorite design. Satisfying to the touch, this lightweight and ultra-durable custom case provides optimal access to all sensors, ports, and controls on your iPod touch without compromising comfort in-hand. Compatible with the 2009/10 iPod Touch 4, this case makes it easy to take your music and your style everywhere!Depth: 0.375 inches
Width: 2.5 inches
Height: 4.5 inches
Weight: 0.5 oz.
Fabric
FabricWhite
WhiteGolden angel holding pink heart, side view, soft case for the ipod touch
Golden angel holding pink heart, side view, soft
Asset ID: 79308827 / DAJ / Golden angel holding pink heart, side view, soft focus
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry , to house a relic of the Crown of Thorns . The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest . It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse , or "in the round", to create a total of 28 three-dimensional figures, mostly in white enamel, which had been recently developed when the reliquary was made.
Except at its base the reliquary is slim, with two faces; the front view shows the end of the world and the Last Judgement , with the Trinity and saints above and the resurrection of the dead below, and the relic of a single long thorn believed to come from the crown of thorns worn by Jesus when he was crucified . The rear view has less extravagant decoration, mostly in plain gold in low relief , and has doors that opened to display a flat object, now missing, which was presumably another relic.
The reliquary was in the Habsburg collections from at least the 16th century until the 1860s, when it was replaced by a forgery during a restoration by an art dealer, Salomon Weininger. The fraud remained undetected until well after the original reliquary came to the British Museum. The reliquary was featured in the BBC's A History of the World in 100 Objects , in which Neil MacGregor described it as "without question one of the supreme achievements of medieval European metalwork", and is a highlight of the exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe at the British Museum from June 23 to October 2011.
The Holy Thorn Reliquary was probably created in the 1390s in Paris for John, Duke of Berry , to house a relic of the Crown of Thorns . The reliquary was bequeathed to the British Museum in 1898 by Ferdinand de Rothschild as part of the Waddesdon Bequest . It is one of a small number of major goldsmiths' works or joyaux that survive from the extravagant world of the courts of the Valois royal family around 1400. It is made of gold, lavishly decorated with jewels and pearls, and uses the technique of enamelling en ronde bosse , or "in the round", to create a total of 28 three-dimensional figures, mostly in white enamel, which had been recently developed when the reliquary was made.
Except at its base the reliquary is slim, with two faces; the front view shows the end of the world and the Last Judgement , with the Trinity and saints above and the resurrection of the dead below, and the relic of a single long thorn believed to come from the crown of thorns worn by Jesus when he was crucified . The rear view has less extravagant decoration, mostly in plain gold in low relief , and has doors that opened to display a flat object, now missing, which was presumably another relic.
The reliquary was in the Habsburg collections from at least the 16th century until the 1860s, when it was replaced by a forgery during a restoration by an art dealer, Salomon Weininger. The fraud remained undetected until well after the original reliquary came to the British Museum. The reliquary was featured in the BBC's A History of the World in 100 Objects , in which Neil MacGregor described it as "without question one of the supreme achievements of medieval European metalwork", and is a highlight of the exhibition Treasures of Heaven: Saints, Relics, and Devotion in Medieval Europe at the British Museum from June 23 to October 2011.
Description above from the Wikipedia article Holy Thorn Reliquary, licensed under CC-BY-SA full list of contributors here. This page is not affiliated with, or endorsed by, anyone associated with the topic.
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Product id: 176996360699436703Designed on 14/02/2012 6:57 PM
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